Once the songs had been written, Stef Kamil Carlens moved to the next stage: creating a specific sonic environment in order to transform the core concept into a lively show and an interesting album. Most of the thirteen resulting songs are based around dialogues: the content of Awa Dms lyrics (sung in Dioula, a Manding language) is echoed and transposed in Stef Kamils English-language lines, which reflect the griots preoccupations with traditional wisdom, interpersonal relationships, social codes and cultural traditions, but also with very current issues: social and political problems, the depletion of the countrys natural resources, endemic poverty which drives many people to emigrate in search of a better life etc. Somewhat later, they started playing together, and soon found a way to combine Mamadou and Awas West African melodies and patterns with Stef Kamils blues-rooted style. Stef Kamil spent a lot of time with them, listening to their stories, and trying to get acquainted with their experiences and their way of seeing the world. This encounter turned out to be the starting point of a fascinating collaboration. Zita Swoon Group Wait For Me Rar Series Of InstrumentsĪ couple of years ago, he travelled to Burkina Faso, and was introduced to singer Awa Dm and balafon (xylophone) player Mamadou Diabat Kibi.
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